Watch your step, though. It can get weird in here.
This the first in a series of posts about the world I have constructed for my novels: Desylvar. It seems appropriate that I begin at the beginning, and present you with Desylvar at its most basic level, as everything else about Desylvar is based on this foundation.
Later on, I will tell you about how faerie society works. Personally, I don’t find humans as interesting, but I may write some about them, too. Today, I’m going to tell you about what I believe is the most important question a story-world can answer.
What separates the bad guys from the good guys?
Desylvar is not an “us” versus “them” world. In too many stories, the good guys wear white hats (metaphorically) and the bad guys wear black hats, and everyone lies, kills, and sometimes even tortures in order to get their way. The good guys are not good, they are simply better, or not as bad, as the bad guys.
However, Desylvar is based on moral and spiritual laws (you could call them laws of magic if you like) which apply to everyone as impartially as the law of gravity.
Even if an antagonist in Desylvar were never confronted by a protagonist, that antagonist would eventually suffer personal destruction as surely as if they had injected themselves with a virus. If a protagonist steps over the line, even unknowingly, there are consequences.
Neither are protagonists at a disadvantage because they choose to adhere to these spiritual laws. Those who choose evil often believe they have chosen freedom and power, but this is an illusion. If a human on Desylvar chooses to utilize the power of evil faeries, for a time they may experience great power, and believe they are free to do as they like. Eventually, though, they come to realize they were simply being used themselves, with no greater freedom than a slave.
The protagonists may not personally possess great power, but neither do the antagonists. The protagonists owe their allegiance to someone else with great power, but unlike evil faeries this master does not seek their destruction.
The protagonists are the protagonists because they are in alliance with the one who created those spiritual laws in the first place. The Seelie faeries call this person Eloheim. I’ve borrowed the Hebrew word for God here. So long as said protagonists continue to abide by the spiritual laws (the equivalent of not jumping off a cliff) they are protected. Nothing the Unseelie do can touch them.
This is the most abstract of the posts I’ll be writing about Desylvar, but I think it is also the most important. Some time ago I read a post by a blogger I respect (whose name escapes me), which said that only an experienced writer should attempt to write an allegory in the fantasy genre. Too late.
I don’t think I could write something without expressing myself in it. Although I have discovered how difficult writing an allegory is, I think I have some pretty great teachers in the novelists I read.
Stay tuned for the next post in this series, date TBD, on faerie-circles.